ST Touring 2006.05
 5月のギグは南米からスタート。日本にはゴールデンウィークなるものがありますが、当然諸外国は3日も4日もふつーに平日、お仕事は5日の金曜から。ということで5日にチリの"SOUTH FEST"でのお仕事をこなした翌日は、サトシトミイエも大好きブエノスアイレスでのギグ。これまたクラブは"SOUTH FESET"。行く度に楽しいパーティになるアルゼンチンギグ、今回も乞うご期待。

 さて翌週はアラブ首長国連邦の首都ドバイへ。以前は中東ギグなんてびっくりだったけど最近はもう当たり前??その翌日はロンドンのクラブ"THE CROSS"にて。スケジュールがタイトすぎた4月に比べて5月は比較的余裕があるけど、それでも結局毎週末は必ずDJ。というわけで19日の金曜も当然DJ。こんどはスイスのローザンヌ。そして翌日はイタリアに移動して、ナポリにある馴染みのクラブ"ANGELS OF LOVE"へ。

 その後ドイツのデュッセルドルフ、クロアチアのザグレブ、イタリアのトリノでのギグを経て今月終了。振り返ってみるとなんと5月だけで8カ国。NYを含めると9カ国への旅!!

05/05/2006 Santiago, Chile SOUTH FEST
05/06/2006 Buenos Aires, Argentina SOUTH FEST
05/12/2006 Dubai, UAE DEEP NIGHTS @ TRILOGY
05/13/2006 London, UK TYPE @ THE CROSS
05/19/2006 Lausanne, Switzerland D! CLUB
05/20/2006 Naples (Napoli), Italy ANGELS OF LOVE
05/24/2006 Dusseldorf, Germany TRIBEHOUSE
05/26/2006 Zagreb, Croatia GALLERY
05/27/2006 Turin (Torino), Italy LA GARE

06/01/2006 Misano Adriatico, Italy ECHOES
06/02/2006 Jerez De La Frontera, Spain SALA ROUGE
06/03/2006 Glasgow, UK COLOURSFEST
06/09/2006 New York, USA CROBAR
06/10/2006 Las Vegas, USA ICE
06/16/2006 Barcelona, Spain SONAR
06/17/2006 Ibiza, Spain PACHA (Opening)
06/18/2006 Milano, Italy CAFE´ DE SOLEIL

 今年前半の最大のお祭りMiami Winter Music ConferenceでのSAW.REC5周年記念パーティも無事終了し(今年のSAW*WMC Tシャツ、皆さんゲットしました?)、サトシトミイエは再び"3D"ツアーへ。先月4月は、3月の北米ツアーから大海を渡ってヨーロッパへ。

 なんかこのニュースを書いててもどちらかというとヨーロッパの方がやはり馴染み深い感じなんだけど、日本生まれ米国在住のサトシトミイエの活躍の舞台として欧州が多いのはなんか不思議。ということでエイプリルフールはまずスイスのクラブ"Q"。もう「"Q"はSAWからも"Tribes of Khan Gala"をリリースしたDJ Gogoのクラブで……」みたいなくだりはもはや書き飽きたくらい何度もご紹介済みのこのクラブ、盛り上がるに決まってるのでその辺の話も割愛します(笑。続いてはロシアに場所を移し、まずはモスクワにある"Renaissance"でのギグ。こう見えてこのツアーニュース書く時は結構ご当地クラブをウェブで調べたりもしてるんだけど、正直ロシア語わかりませんでした……。てことでその翌日はサンクトペテルブルグの"JET SET CLUB"にて。ロシアはちょうど2年ぶりくらいの訪問だけど、モスクワのクラブもサンクトペテルブルグのクラブも2年前とは別のところ。極寒の地でのパーティはやっぱり逆にアツいのか!?

 さて、前回のニュースでも"3D"ツアーは夏ツアー並みにハードスケジュールだの4連続ギグだの書きましたが、4月はもっとヒドかったです。4/12のギリシャギグから始まってこの週なんと6夜連続!!しかもギリシャ→ギリシャ→ルーマニア→フランス→イタリア→イタリアって感じで、文字通り西へ東へな1週間。ほんとに移動、DJ、移動、DJって感じでサトシトミイエの体調が気になるところ……ですがそこはプロ、もちろん手は抜きません!
 この6連続ギグの中でも特筆すべきはギリシャ○○に位置するコザニにあるクラブ"DALUZ"。一見してageHaみたいなんだけど、なんかとにかく洗練されててめちゃめちゃデカい!こういうクラブで遊ぶのって楽しいんだろうなあ……。

 続いて翌週は4/21からイタリアでの4連続ギグ。もはや4連続と聞いても「あらそう」くらいにしか思えない今月の多忙っぷりもある種異常。数えてみると、4月の段階で既に例年の約1.5倍のギグをこなしてる……。例年は大体年間通して100ギグくらいやっていることを考えると、単純計算で今年は150ギグ?2日に1回DJ?恐ろしいのでこんな計算やめときます。てなわけで、イタリアでの4連続ギグの後は、翌週28日も再びイタリアへ。その後は、おそらく初上陸?のセルビアモンテネグロで今月のギグは終了。と共に昨年末から続いた"3D"リリースツアーもほぼ終了!

wstc forumでも盛り上がってますが、W杯が開催されるドイツなど、旅先でサトシトミイエを見つけたら是非パーティーに顔を出してみてくださいね!

Production: Satoshi Tomiie presents GLOW 2006.05
 いやー、ほんとにお待たせしてしまい、申し訳ございません!
 一番最初にオーディエンスの耳に届いたのが"ES-B"がリリースされた時だから昨年の8月、というわけで既に8ヶ月程度も経ってしまってますね……。その間家で何度も繰り返し聞きたいと思った方、クラブでかけたいと思った方、Satoshi Tomiie presents Glow"Glow"のリリースはもうまもなくですよー!!

 ということでこちらのニュースでも再三お伝えしてきたSpiritCatcherのリミックスもばっちり収録、エレクトロニックな音楽を中心にプレイしているDJの方はもちろん、今作はどちらかというとディープハウス系をプレイしているDJの方々に是非使って頂きたい!!どちらのバージョンもいいスピーカーで聞くとほんとに脳髄がキモチイっす〜。

 また、アノ新進気鋭のクリエイターとサトシトミイエのコラボレーションも着々と進行中!というか終わったばかり!!最新情報はもちろんwstcで真っ先にお伝えします。"Graffik" "Fishead"以来のコラボレーションプロジェクト、さてこんどは誰でしょう??
Saw release 2006.05
 4月のSAW.RECORDINGSのリリースはAudiofly Xの"Stolen Goods"/"Mind Goes Blank"!!

これまでは"3D"の"STUDIO"のためにサトシトミイエが新たに制作した"3D Remixes"をリリースしてきたSAW.RECORDINGSですが、こんどはようやく"CLUB"サイドからのリリースです!トラックリストをよく眺めてみると、ベテランって実はCass & ManganやGuy Gerber(Guy Gerberも「ベテラン」かどうかは微妙だけど)くらいで、実はフレッシュな若手クリエイターの作品が多い"CLUB"サイド、今月からはこの"CLUB"に収録された楽曲をリリース!

 というわけでAudiofly Xの"StolenGoods"は"CLUB"の6曲目。"Electronic Soul"を体現したビリビリしたベースラインに、オーソドックスなビートがマッチした秀作。つーか単調な音階を行き来するベースラインのリズムの刻み方が微妙に左右に音が振られててそれがすごーい心地よくてカッコいい!そしてなんといってもブレイクでのシンセ。正直ね、こういうミニマルなベースラインって個人的にはあんまり好きじゃないはずなんだけど、その心地よい変化と曲の展開の仕方がほんと飽きないのよ!

 そしてもう一曲の"Mind Goes Blank"。邦題「心がカラッポになる」が正しいかどうかわからないけど、"blank"という言葉が表すその「カラッポ感」がこの曲の最大の特長だと思います。なんつーか、音の「隙間」がある感じ?「隙間」というと悪く聴こえるかも知れないけど、要はパーカッションの音とかSEとかにものすごい広がりがあるんです。特にベースラインなんて耳の後ろの方で鳴ってる感じだし、常に色んな音が色んなところを飛び回ってる感じ。これが結成して若干4年の若者2人組によって作り出されたことを考えると、なーんか時代の流れを感じちゃいますね。

 さらに5月にリリースされるのは、ベテランCass & Manganの"I Didn't Mean To Turn You On"!!以前SAWからリリースされた"Kenjin"が個人的には大のお気に入りなんだけど、今作は"Kenjin"のブリブリベースを活かしつつディープでドープな世界にまっしぐらなトラック!!

 一聴した途端「あ、これトミイエさんかけてたじゃん!」とわかる♂ボーカルが非常に印象的なこの曲、実はRobert Palmerの80's大ヒット曲のカバー。
 セクシーな♂ボーカルが印象的な曲と言えば、以前ならEchomen、最近ではSlokが想起される感じですが、これはそれらとはまた違ったテイストでグッド!さらにそんな"Original"の裏に収録されている"Eames Dub"は、ボーカルを少し控えめにしつつシリアスな感じに味付けされていて、すげーカッコいい。

 そんなわけでSAW049のAudiofly X "Stolen Goods"/"Mind GoesBlank"とSAW055のCass&Mangan "I Didn't Mean To Turn YouOn"、ハマり&トリップ系エレクトロニックサウンドを是非堪能してみてください!!

Renaissance presents 3D by Satoshi Tomiie 本人によるライナーノーツ 2006.05

Disc One: Club − The ‘Club Disc’ is a representation of the sets I am playing out right now, although I have made a distinct effort to avoid clubber material that sounds great on thumping sound systems, but does not translate to home listening so well. It's a blend of established producers and friends such as Cass & Mangan with the excellent ‘I Love Your Shoes’, through to exciting up and comers such as Audiofly X and Jim Rivers, the latter of which I met over the internet and was so impressed I immediately snapped him up for my SAW label!

1 Spirit Catcher Polysquasher
2 Dan Berkson People
3 Only Freak Viper Vapour
4 Stereo Type Somewhere
5 Jim Rivers Future
6 Audiofly X Stolen Goods
7 Martin Eyerer Wicked Line [Original Mix]
8 Electrochemie Big One
9 Uppfade Panga [Gui Borrato Remix]
10 Cass & Mangan I Love Your Shoes
11 Guy Gerber X Factor
12 Jim Rivers Restore

Disc Two: Studio

1. Loop 7 - The Theme (Reprise)
Loop 7 is my solo project which was licensed to Strictly Rhythm and released in 1994. I chose this tune as the opener of the Studio Disc to show my roots; acoustic piano is my first instrument. This version has never been released; I specifically saved it for a project like this.

2. Satoshi Tomiie - Tears (3D Slightly 303 Version)
This is a tune I have been waiting for the opportunity to redo. It was my first ever release and the first collaboration with Frankie. The original ‘Tears’ was an instrumental, recorded when I was a Uni student in Tokyo. For 3D, I re-recorded and re-played it with original instruments and added a touch of current flavor.

3. Chab - Lover (Satoshi Tomiie 3D Remix)
When I listened to Chab's album ‘Dubs, Edits and Whisky-Coke’ for the first time, I flashed on Michael Jackson's ‘Thriller’ (obviously not because of the amount of the copies sold - I wish!), due to the fact all the tracks were equally strong and could stand as singles in their own right. I so respect his talent and music. This tune is one of my favorites (among others), so I really wanted to remix and include it on the comp.

4. Cass - Mind Rewind (Satoshi Tomiie Mind Blister Remix)
This remix is something different from what I had been doing at the time and I am really happy with the result. I fell in love with the original, it was fun to do as I had a lot of toys (parts) to play with.

5. Graffik - A Lesser Man? (Satoshi Tomiie Mix)
This track is a collaboration with Tarrentella and Redanka (Chris Bourne and Andy Holt). I used the Original on my GU Nubreed, but have added a few more electronic elements for this mix.

6. Slok - Lonely Child (Satoshi Tomiie 3D Remix)
The original version is just perfect so it was a bit of challenge to remix. I did a road test throughout the summer and completed this remix for 3D right before completing the Studio Disc itself.

7. Kosheen − Hungry (Satoshi Tomiie Vocal Remix - 3D Edit)
This is a record I am so proud of. The vocal is just amazing so it was not very hard to come up with the idea for the remix. That doesn’t exactly mean it was easy to do, but it was definitely worth taking the time to get this result.

8. Photek - Mine To Give (Satoshi Tomiie 3D Private Path)
The bass sound of this tune convinced me to originally take on the remix. Couple this with Robert’s vocal and it was just too good to turn down. This version is the one I have been playing in the clubs - my own private mix, hence the title!

9. Satoshi Tomiie featuring Kelli Ali - Love In Traffic (3D Private Path)
I just had to have this tune on the comp, another record I am so proud of and one of the peak moments of 3D. Of course, Kelli1s amazing vocal is the main inspiration for the mix. I never get tired of listening to her voice. I made this exclusive version to play out a while ago - this is the first time it has received any form of commercial release.

10. The Future Sound Of London - Papua New Guinea (Main Path)
What can I tell you? This is the one of the hardest mixes I have ever done. It’s such a classic record. It took a while to complete as I really wanted to make sure it sounded right. The result is very satisfactory; I definitely view it as one of my top ten remixes.

11. Hybrid - Higher Than A Skyscraper (Satoshi Tomiie 3D Dub)
I re-did this just for 3D. I usually take remix offers when I really like a tune or find it a challenge, although in this case the reason was both. I re-tweaked and made it more rock-y for the compilation, featuring more of Mr. Hook’s bass. The result is so dramatic, the perfect tune to close the Studio Disc1with.

Disc Three: Home

1. Dexter Wansel - Life On Mars
I compiled my Home Disc with the tunes that were an influence to me and my music. This opener is a Jazz Funk classic from the master, Dexter Wansel, who is known for his work on Philadelphia International. Before mixing and scratching vinyl on decks, playing keyboard was my passion and, when I was 15, Herbie Hancock was my idol. After I discovered house music and traced its history, Mr. Wansel became one of my other idols; his skill on Electric
Piano is outstanding and he1s a very talented composer, producer and arranger. This track is the
perfect example. I am honored to be able to use this masterpiece as the opening of my Home Disc.

2. Sneaker Pimps - 6 Underground
The first time I heard Kelli's vocal was on ‘Spin Spin Sugar’. I thought her unique voice was almost like a musical instrument’s catchy yet twisted at the same time. I love the instrumentation of this song too, it uses unusual sounds like the French Horn and plays a single pad throughout, plus the blending of samples and noises is incredible, remaining influential to this day. Later on I had the opportunity to collaborate with Kelli for ‘Love In Traffic’(which is featured on the Studio Disc) and ‘Up In Flames’. It was an amazing experience working together.

3. Miles Davis & Gil Evans - Solea
Miles Davis is my hero. Throughout his whole career, he never stopped always evolving, never afraid of taking risks. The ‘Kind Of Blue’ and ‘Sketches Of Spain’ albums, which include this song, are my favorites. With Gil Evans (Arranger/Producer/Composer - another true genius!) and Teo
Macero (Producer), working alongside Miles it doesn1t get any better. I was so inspired by this album and still listen to it. I’ll never get tired of it.

4. M.F.S.B. - Mysteries Of The World
This song has all the elements of modern dance / electronic music in terms of sound and structure. It starts with a moody, dramatic intro with a solid bassline and tight rhythm and then builds to a breakdown before culminating in repetitive, addictive beats. Released at the end of the Disco era, I stumbled across the song years after I was heavily into house. Another great example of Mr. Wansel’s skill and talent, I instantly fell in love with this intelligent dance masterpiece.

5. Bou-Kahn - Magic
I1ve been asked, “So, where did you meet Frankie Knuckles?” about 200 million times, but no one has ever asked the names of the tunes he played to influence me after we first met. Ok, since nobody has asked, I will enlighten you now, it was tracks like KC Flight ‘Let’s Get Jazzy’ (Blaze Remix), Fingers Inc. ‘Distant Planet’ and Bou Khan. These remain the 3 most memorable ones. It was an eye opening experience when listening to his live sets, I came to learn how this kind of music can be danceable, intelligent and fun at the same time. It was like meeting Obi-Wan Kenobi and made me want to be a House Jedi Master.

6. Aphrodisiac - Song Of The Siren
So many classic house tunes were out around the time this song was released. There are numerous favorite, classic house tracks, just too many to pick from really. As this disc is Home, I picked this atmospheric and slightly tribal (there was no such genre back then) tune by Ronnell Burrell because it’s my favorite house tune of this kind.

7. Jaco Pastorius - Portrait Of Tracy
Jaco is my all time favorite Jazz player. His is not only great on Bass, but the innovator of a distinct, unique style and sound that requires great skill, which this tune from his first solo album demonstrates best.

8. Weather Report - Palladium
The first concert I ever went to was Weather Report. ‘Palladium’ was written by the group’s Sax player Wayne Shorter, produced by main man Joe Zawinul, with Bass by the mighty Jaco Pastorius. The synth still sounds fresh and fat, the way they combined electronic and live instruments has influenced me greatly.

9. Roy Ayers - Running Away
Remember ‘Red Zone’ mixes? If you do, you are old school! ‘Red Zone’ was a club where David Morales held a residency and he produced numerous, amazing remixes named after it. House, Hip Hop, Reggae, Jazz, Funk, Techno and other different kinds of dance music were played there. It was a fun time you could drop whatever made the crowd move and there was no
classification, house was just house. ‘Running Away’ was high on my list before I even moved to New York, but because of the way David mixed it in alongside house music, and the reaction
it always generated on the floor, it became one of my permanent favorites.

10. James Brown - Give It Up Or Turn It A Loose
This is another one of my ‘Red Zone’ classics. My personal favorite James Brown tune.

11. Lonnie Liston Smith - Summer Nights
Along with Herbie Hancock, Joe Zawinul, Bill Evans and Dexter Wansel, Lonnie Liston Smith is my idol keyboard player/composer. His Rhodes sounds (with BIG effects) was the reason I bought 2 sets of Rhodes Suitcase Pianos. I have seen his more renowned ‘Expansions’ and ‘Quiet Moment’ on a lot of compilations, so I picked this alternate
song, which is heavy on that big OERhodes1 sound.

12. Azymuth - Fly Over The Horizon
Vo^o Sobre O Horizonte
When I was a teenager in Tokyo I listened to a late radio show every night which introduced quality new music. You can1t imagine it happening now, but this show aired whole albums without interruption! Azymuth’s ‘Fly Over The Horizon’ was the opening/closing theme song of the show.
So this track, more than any other, truly represents a lot of the music I discovered and received influence from throughout my career. The perfect choice to close the Home Disc with.

THANKS TO YOU!

Finally, this was all made possible by all the supporters around the world who keep inspiring me all the time. All the artists, producers and labels who have hooked me up with goodies to make this compilation possible. All the engineers and the musicians I have been working with. All the clubs and promoters around the globe who invite me into their DJ booths. All the magazines, websites and reviewers that have supported me and my work over the years.
 
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